On Sunday October 27, the Syker Vorwerk presented the new edition “Female Gaze & Power – Frauen*-Netzwerke in der bildenden Kunst”. In the context of the last 40 years of Bremer’s best artist associations, established in 1926 as “Gemeinschaft Deutscher und Oesterreichischer Künstlerinnenvereine all Kunstgattungen” in Hamburg, they are relevant for “a clearer perspective in the art center” zeitgenössische Kunst in der Hachestadt vor Augen geführt et erlebbar werden. Dort können sich die Besucherinnen und Besucher mit den Arbeiten und Sichtweisen von insgesamt 33 Künstlerinnen befassen.

At 12 p.m., the training begins with Nicole Giese-Kroner, the artistic director of the art centers at the time. I offer you Monika Beyer and Li Portenlänger in their performance “Gold – Salz – und die Mandel”, a symbolic and cultural interpretation of the trios zu ergründen. Mit ceser interdisziplinären Inszenierung erschließen sie “die tiefen Verbindungen zwischen Mensch, Natur et Kultur”.

Myth and German statements

Zum Rundgang: In “Amalgamate”, Patricia Lambertus and Simone Haack mix their specialist tasks. With their complex composition of collagen, they are in the historical context of Syker’s works, the mythological figure of Diana is the true vision of Wildnis, Natur, Schutz and Jagd. Das Thema “Femizid” presented by Claudia Christoffel, Julie Legouez and Annett Stenzel auf. With imposing sound and visual elements, they constitute a single German statement that gives a woman a systematic idea. However, if you do not know what to do with it, please note that the details of the item are different. In “PUR”, Marina Schulze and Bianca Patricia Isensee were commissioned to install recycled polyurethane clay and integrate precious stones from the nach production environment. The studies are illustrated by the Details of Haut and Pflanzen, which are abstracted as real works.

The project “Frau sein” by Emese Kazár and Andrea Fajgerné Dudás enriched the “with a single click on business women” and shows “the own existence of a woman in Heutigen society”. The performance of Mittels Dudás will be the sexual reality of the Missbrauchs offenbart. They are Claudia A. Cruz and Inês Queirós, a special female star. Mit “Threads of Resilience” (Fäden der Widerstandsfähigkeit) allows you to diversify web technologies. “Wir sind die Kettfäden”, here are the six artists. This is a well-known practice. They also reflect on Elfin Açar, Ulrike Brockmann, Claudia Christoffel, Christine Huizenga, Edeltraut Rath, Sabine Schellhorn and Ute Seifert kollektiv die Macht et Vielschichtigkeit der Farbe Rosa. Below the “It’s Pink” emblem are ancient materials and installation instructions with time and ambivalent color symbols.

With their installation “Sludge Trap” (Schlammfalle) behind Laura Pientka and Rebekka Kronsteiner übliche, geschlechtsspezifisch markierte Schönheitsideale. Wer ins Museum kommt, kann self on die künstliche Lehm-Landschaft (von an sich wandelbarer Konsistenz) handelnd einwirken and somit die so dargebotenen patriarchal konstruierten Geschlechterrollen „umwälzen“. The “T-Rrigger Warnung” project was published worldwide by Hannie Schaft, Freddy Overstegen and Truus Menger. The artists Elianna Renner, Cläre Caspar and Dorothea Nold traveled through “biographical fragments and artistic works” by the hand of the three mutagenic women within a major feminist research.

On November 23, a third “MangOU4you” workshop will take place with Gertrud Schleising, Ilka Rautenstrauch and Silke Mohrhoff within the program. The “Drei.Grazien.Kollektiv” brings together the Care-Arbeit and the Nachhaltigkeit in the Fokus. Mithilfe der Mango-Frucht als Symbol wollen sie gemeinsam mit den Kursteilnehmern die Definition traditionally weiblicher Arbeit gemäß der heutigen Problemlage actualisieren. From Monday to Friday, January 18 and 19, 2025, they will present Esther Adam, Moira Anouk, Sophia Bizer, Betta Eichner and Hannah Alena Herb from a feminist perspective for the theme “Objects – Performative Objects”. Audience artists have the opportunity to try interactive “alternative forms of vision and ideas”. The ausstellung ends on January 26, 2025.

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